At the Kodak exhibit: (left) my Uncle Buddy's
girlfriend Stella and my grandmother; (right) my Dad |
Over the years I've added to that collection, and I suppose I'll share the pieces here eventually. I haven't any one-of-a-kind items that you won't see anywhere else on the internet, just the usual and expected plates and pins, spoons and glassware, and the like.
From collecting I moved on to experiencing; I rode the 7 Train out to Flushing, dragging along good-natured and willing friends on frigid winter days to see the site where The Fair had stood, to see if I could feel The Fair. I tried to imagine what it was like to stand beneath the Trylon and Perisphere, which apparently would have dwarfed the Unisphere (symbol of the 1964-65 World's Fair) which occupies their former site. (Luckily for enthusiasts of the '64-'65 Fair, a visit to Flushing Meadows affords a much more evocative experience.)
Plenty has been written about the history and design of the Fair that was; my focus has been on the Fair that still is, however little that may be. A wonderful piece some years ago by David Dunlap in The New York Times gave an overview of what remains of The Fair (and also of the '64-'65 re-incarnation), which alas, is not much. But my own research has uncovered even more than Mr. Dunlap's excellent article, and I have been very pleased and very surprised to discover many remnants of The Fair that can still be seen and visited and enjoyed today.
Of all the souvenirs and mementos I have from The Fair, the most precious to me, the one I wouldn't part with even for all the money in the world, is my Dad's ticket book. It bears his 8-year-old's signature, and still has 15 unused tickets inside. It's my ticket back to The Fair; I invite you to come along.
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